Success

Of course the trick to having a successful year is to decide what success looks like on your terms.

For me to be successful this year I have sought a happy medium between business and other creative projects. It’s simple: if I neglect one, I don’t eat, if I neglect the other my head explodes.

Happily I have eaten and my head is still intact. So here’s what a successful year looks like to one Brighton-based writer.

  • I have earned enough money through my work with agencies to finance my craving for time. This year agencies have tended to invite me to work on pitches or as cover for absent creative directors. A few months ago I was offered a creative directorship but turned it down. I was flattered but not tempted.
  • The publication of A Guernsey Double, written with Richard Fleming, was supported by the Guernsey Arts Commission. For a writer, the buzz of seeing your name on a book’s spine is hard to underestimate. And it has directly led to several radio appearances, and readings with Richard booked for next year’s Guernsey’s first Literary Festival. Also it compelled me to spend time in Guernsey, the place I love most in the world
  • My collaborations with the composer Matthew Pollard have given me the opportunity to work in a completely different field. Our first work together, called This concert will fall in love with you is due to be recorded next year after its premier in the Brighton Festival Fringe this May. More performances are also planned for next year. Our second work together a short piece called Found written for Brighton’s Rainbow Chorus, and given its premiere in the World Aids Day concert on December 1st. Matthew and I are now working on an Operatic piece around a doppelganger theme which will be performed next year. Learning these new skills is rejuvenating and fascinating. While working with classical musicians has been an extraordinary experience, and the prospect of becoming a recording artist at 51 is extremely cheering.
  • I have put in the hard yards on my children’s novel Skelton Yawngrave. I had the opportunity to workshop it in two Brighton schools, Downs Junior and Stanford Junior, has proved a fascinating experience, leading me to drastically revise the story. The experience of talking to children about literature and the process of creating characters has led directly to me also being booked to lead some children’s sessions at the Guernsey Literary Festival.
  • My short play Wrong will probably be given another short airing in Brighton this February. I am particularly looking forward to this as it involves working with young actors.

So there you have it. Although this may seem self congratulatory, there are plenty of things that can be done better, a theme I shall return to.

About Peter Kenny

I lead a double life. Identity #1. A writer of poems, plays, libretti, prose, journalism and so on. Identity #2: A marketing outlier, working with London creative agencies and my own clients as a copywriter and creative consultant.
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