Gut decisions

Beth and I have our cast!

The audition process was fairly smooth. Slightly tangentially I found myself interested by where the auditions were held. The Brighton ones were done in the basement of a restaurant bar Neighbourhood on St James Street. The metal bull’s head on the wall felt, for me, like some kind of a good omen as we sat underneath it. The London auditions were conducted in the tranquility of the Kingston Quaker’s Centre. Entering the door code made the doors open automatically and all the lights turn on brightly, but there was nobody there, but the residual stillness of a place where people come to pray and meditate.

When the actors started doing their thing, I sensed little ripples in placid atmosphere. The actors however, seem to me to bring their own portable imaginary space, a bubble of energy to perform in. Some actors had energy that filled the whole room.

All actors were asked to read a section of the script and do some improv with Beth. From the snatch of script, we got an idea of people’s timing skills (essential as this is a comedy). Watching people improvise, however, gives you a rapid snapshot of people’s skill set.

Everyone we saw was talented. One or two people didn’t show up to their audition, however, which I found a bit surprising.

We chose two actors: a male and a female. Kitty Underhill, seemed a great fit for the parts we want her to play. She came to her audition fully prepared and totally switched on – she was hilarious and bitchy when the part called for it. A real live wire.We also chose Dylan Corbet-bader who is 18, but revealed a lovely depth and core to his performance. Some actors just have lovability, and Dylan is one of them.

There are few other walks of life in which you happily expect the success of a production to rely on people who are almost strangers. But in theatre that leap of faith happens all the time. Perhaps this is why Beth and I let listened to our guts when making these decisions. It affirms your faith in other people when it works.

Below: a space to be heard.

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About Peter Kenny

I lead a double life. Identity #1. A writer of poems, plays, libretti, prose, journalism and so on. Identity #2: A marketing outlier, working with London creative agencies and my own clients as a copywriter and creative consultant.
This entry was posted in A Glass of Nothing, Actors, Brighton Fringe, Theatre and tagged , , , , , . Bookmark the permalink.

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