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Actors Blowing my own trumpet Brighton Fringe Comedy Theatre

Definitely cup half-full

A Glass of NothingWatching actors rehearsing your script is like being at a birth. Messy, noisy but rewarding too.

Over the last few weeks in all kinds of venues (a big shout out to Brighton’s The Duke of Wellington where we have been using an upstairs room for the last few rehearsals and lapped up a few drinks too). Beth, Dylan and Kitty have been hard at work. The blocking (where the actors position themselves on the stage and work out what they’re doing) is mostly sorted now, and the script is becoming something that comes out of people’s mouths and from their bodies. I always love this moment when words on a page become something people are doing in the physical world.

I sit in the corner feeling a little bit proud. The play is alive and well, and full of character and interest and – mercifully – quite a few laughs too. The script I’d completed in a week of intense writing (after starting it a year earlier) actually works. Every creative effort is a leap of faith, but the moment when you can see the thing emerging, blinking in the light, and healthy and well is a huge relief.

Beth is directing the play. As she is on stage most of the time, I am also attending most rehearsal so I can add new dialogue or cut cuttable bits, sometimes reword lines to make them more natural.

Me being there saves time too. The actors don’t have to puzzle over what the writer meant. They can simply ask. Repairs can be done to the script on the spot, and more often than not the actors will improvise in a way that fits perfectly and is added into the script. The play belongs to all of us. For me, who spends lots of time alone writing things in my office, this is a really happy feeling.

I’m pumped that we cast Kitty and Dylan. Both are professional, highly creative, and a delight to know. Oh yes, and funny too. Rather important in a comedy.

Below Kitty and Dylan: Nooooo!

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A Glass of Nothing Comedy Theatre

Tickets on sale for A Glass of Nothing

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So I finally finished writing my play ‘A Glass of Nothing’. Quite handy really, as the first actor’s read through was on Saturday afternoon. Unlike Douglas Adams, I hate the whooshing sound deadlines make as they go by. In fact even thinking about missing a deadline makes my toes curl in horror so I was mightily relieved to get there with 24 hours to spare.

Beth, pictured above with our listing in the magazine, will be starring-in and directing the play. We toddled off to the official Fringe launch on Tuesday. Great fun it was too, with free drinks (two words that go wonderfully together). This helped everyone enjoy a long speech thanking people by the fringe director, the charming Julian Caddy. The likeable lady mayor, Lynda Hyde, gave a speech too about the economic benefits of the Fringe, adding a couple of knob gags for good measure. The fringe contributes millions of pounds to Brighton’s economy apparently. There was some entertainment too: a magician, someone offering a comedy tour through a museum of thermos flasks, and female versions of male drag Queens, (logically enough called Kings), which was interesting and (of course) very Brighton.

The first read through left me buoyant and cheerful. The play is going to be even darker and funnier that I had imagined. Not to mention burlesquey (if that’s a word which I don’t think it is). We have clearly chosen two splendid comedy actors in Kitty Underhill and Dylan Corbett-Bader, and the script has a shape and cohesion that I am proud of. Most importantly there are a few really good laughs in it, and as rehearsals start in earnest this week, we hope to tease out many more.

Tickets are now bookable here on the Brighton Fringe box office.

 

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A Glass of Nothing a writer's life Actors Brighton Fringe Comedy

A Glass of Nothing – update

So, this play then… ‘A Glass of Nothing’ Its first staging will be at The Warren, Theatre Box, Brighton on Tuesday 17th, Wednesday 18th, and Thursday 19th May. I will be obviously trumpeting this from the rooftops before it happens.

To give you an idea of what it’s about, here is some blurb:

Have you ever watched an actor on stage drink from an empty glass? See how she wipes her hand across her mouth and belches appreciatively.

When a young woman’s life is blighted by no money, no job and no one to love, what choice does she have but to drink from a glass of nothing? But what really is in this glass? Not nothing, oh no. It’s brimful of imagination and fizzing with dark comedy.

Beth Symons plays our heroine, gulping from a glass of nothing to transform herself into anything she desires. Tonight she is the most beautiful woman in the world, a woman whose love life is a tapestry of intrigue and excitement, whose career ascends to dizzying heights…

But what happens when her imagination invites argumentative, wrong-headed people on stage who refuse to follow her script? Watch as Beth battles to keep her vision pure, and stave off the dangers of self loathing and the banal challenges of life in a rented room.

Dare you join her in a glass of nothing?

The play is a three-hander. Beth, who I am writing it for, is pictured below. Beth and I will be auditioning for two parts ‘1F 1M’ starting this Thursday. Through her networks Beth has arranged for several people to audition over the next few weeks. We’ve booked a room and (among other things) will be asking people to read a snippet of early dialogue (which still needs a bit of polishing). As the dialogue is pacy we’re obviously looking for good timing.

I’m still working on to complete the first draft, which will then be thrown to the actors to see what works, what can be funnier and so on. I am fairly pragmatic about all this. The play has a strong structure, and in my, um, vast experience (of having a few plays performed in fringe theatres) I want the play to work as a drama as well as making people laugh. If the story intrigues people that’s a real bonus. I also like a disturbing current to flow through the narrative so the funny bits sparkle.

Beth’s part will call for bravery. She is going to have to be a complete vamp at times. We have been looking at everything from Burlesque dancers to the amazing Eartha Kitt for inspiration. When people are playing a comedy grotesques is that you can’t do anything with self-consciousness. It communicates itself to an audience, and they start squirming on your behalf. And we can’t have that!

I’ll let you know how the auditions go…

Print - A Glass of Nothing - Theatre

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A Glass of Nothing Actors Performance Theatre Uncategorized

Actors with comdey chops wanted

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Beth Symons, pictured in one of her calmer moments above, has got the casting underway for our play A Glass of Nothing. So if this is you, then get in touch with Beth using the email below, or via this site.

Brighton Blonde Productions is a new theatre company based in Brighton, and set to take Brighton Fringe Festival 2016 by storm with their witty and dark comedy “A Glass of Nothing”.

We are looking for 1 male actor and 1 female actor to join our cast. Playing age 22-30 for both parts.

  • Male characters: embarrassed boyfriend, dream man and pervy boss.
  • Female characters: outraged girlfriend and bitchy co-worker.

If you are interested please email beth.symons@icloud.com with your CV and headshot if possible. If you don’t have these a small bio of your experience will do. We will send you more information about the piece and possibly arrange a meeting with Beth and Peter (co-founders of Brighton Blonde Productions).

Please like us on facebook (Brighton Blonde Productions) and follow us on twitter @BrightonBlondes.