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Planet Poetry Podcast Poetry

Planet Poetry launches with an in-depth interview with Pascale Petit

What’s that? The sound of virtual corks? Wish us lock as Robin Houghton and launch our podcast on an unsuspecting planet.

To be honest, it feels a bit like standing on a diving board, and gazing into the cold deep water with trepidation. But here we go! The first episode of Planet Poetry is now live, and available wherever you get your podcasts.

In our first episode we were absolutely delighted to meet multi-award winning poet Pascale Petit and explore the lush Edens of her poetry. Hear Pascale talk frankly about the troubling shadows cast by her mother and father on her life and work.  Enjoy her readings from several collections, including the recently published Tiger Girl, which describes the sanctuary offered by her relationship with her Indian grandmother.

In this episode Robin and I shoot the breeze about Home Farm by Janet Sutherland and Wild Nights: New & Selected Poems by Kim Addonizio

You can also listen to the podcast here….

https://planetpoetry.buzzsprout.com

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Planet Poetry Podcast Poetry

Counting down to…

So the podcast is called Planet Poetry and we have a wee trailer ready to listen to

Just a few tweaks here and there, and ensuring the podcast is available on your favourite podcast platforms… Before Robin Houghton and I press the big button, with any luck, later this week.

The first episode will feature a long conversation with the multi award wining Pascale Petit. Fingers crossed — we are a few days away from launching now.

Feel a bit like I have a parachute strapped onto my back, and about to leap out of the side of a small aircraft — but in a good way.

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Blowing my own trumpet Podcast Poetry

A poetry podcast? Why not!

Robin Houghton and I have teamed up again, and we are about to launch a podcast featuring poets, influencers and editors. We are preparing to launch soon — so expect us to be parping enthusiastically on our social media trumpets with more details than you can shake a stick at very soon.

Delightfully, this project has reminded me that, first and foremost, I am a fan. The fact is, I straightforwardly love poets and poetry. I have found it absolutely fascinating to begin to talk to accomplished poets and publishers about their work and how they function in today’s world.

Yes it has been a steep learning curve, and there is still plenty of that curve ahead. But apart from, ah-hem, occasional John Cleese style IT rages, I have loved every minute of it. Robin says she has too.

Obviously none of this happens in a vacuum. Our better halves have been top too. My Lorraine, home from a hard day’s headteachering, has been compelled to tiptoe around the house, while Nick, Robin’s professional musician husband, has been warned away from the piano on more than one occasion.

Robin and I have interviewed all our guests online, and chatted to each other in the same way. Only once, a few weeks, ago did Robin and I actually meet up on a sunny day in an empty pub garden in Brighton for a few beers and a chat. The podcast is a product of its socially distanced times.

Meanwhile here is a pic of me and Robin from March, when Robin was launching her latest pamphlet in London, taken by our pal Sarah Barnsley. Just as the time that you could actually have a beer with your mates (without cringing) was coming to an end.

Here’s to happier days! More news very soon 馃檪

Cheers!

Peter Kenny and Robin Houghton

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Poetry Readings

WHY? AND OTHER QUESTIONS, by Robin Houghton

In March, when people had started self-consciously bumping elbows, my pal Sarah Barnsley and I trained up to London, to see our friend聽Robin Houghton launch her new Live Canon pamphlet, WHY? AND OTHER QUESTIONS. It was an excellent afternoon, and Robin read with fellow pamphleteers Tania Hershman, Miranda Peake and Katie Griffiths at the Boulevard Theatre Bar, London.聽

I thought sharing something about these poems is well overdue.

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What is suggested, in a horror movie for example, is invariably more unnerving than the monster when you get to see it. The terrors and sublime pleasures in Robin Houghton’s poems are always suggested, and the聽bathos of wobbly latex is carefully avoided. 聽

The poem Was it the Diet Coke? is perhaps the most straightforward example of her potent command of suggestion.

offhandedly lefthandedly
drunk by the can-full
my dose of phenylalanine
my be-my-baby ringpull

Here we have dipped into a relentless anxious inner monologue; a chatter in the void like some lost soul in Dante’s Inferno.

what it my fault or God’s
did I do wrong break a law
was it bad timing was it
me 聽 fuck 聽 was it me 聽 or

In The Retelling the story, a memory of war, the incident being related is barely sketched, but there is a horrific glimpse of the blur and confusion of war.

some throat opened and the long night’s breath
tumbled through the lift shaft of his lungs, threw
up knives, a scything freak show in his brain.
The flapping mask, the call to brace, the prayers.

But the focus of the poem is on what it is to be able to tell such a story, on the storyteller.

This void sits at the edge of several of Robin Houghton’s poems. In ‘His hope was a waking dream’聽the note of the poem refers to a man falling into an Anish Kapoor art installation. Again without capitals, and this time completely unpunctuated, the poem lists reasons for falling, and again there is that sense of the unresting interior monologue unable to reach a firm conclusion.

he wanted to step quickly
he absented the light and his body gave way
into nothing in it

he fell in love with nothing
he fell into lies and he wanted to go in
out of the outside in

We see in Drowning the Doves, 1916 what may be T.J. Cobden-Sanderson, co-creator of the Doves typeface, casting the metal typeface into the Thames,

聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 聽 … By spring, handfuls of ‘a’s

and ‘m’s he starts to cast as seed, or throw–with hope,
like confetti–the pebbled water laughing up at him.

With each piece of type, a piece of himself also–the moon
as witness–bequeathed in bits to the river, rag and bone:

four parts sacrifice, six parts revenge.

It’s twinned poem聽Under Hammersmith Bridge, 2016, sees the letters salvaged. I love this metaphor of strewing language into the water, which felt to me like a metaphor for writing itself.

There is a beautiful, Samuel Beckett bleakness in some of Robin’s work. The setting for the final poem of the collection, Ladies’ Hour features a terrifying scenario: the swimming bath on one of the middle decks of The Titanic.

between me and the sea
just the smell of steerage,
the low belly of a boat, the swell.

While a disturbing void haunts these poems, in this collection. There is also an enigmatic beauty about many of the poems. I find the exquisite poem ‘I ask what colour is the sea’ to be heartbreakingly beautiful.

I find it greyscale of gull belly caught in a squint, a hint of gravestone.
Some days a sick greenish grey. But I ask the world and it says blue.

WHY? AND OTHER QUESTIONS is a profoundly moving pamphlet, with quiet moments of dark and painful beauty. 聽It’s just wonderful.

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Poetry Uncategorized

Sin Cycle in E路ratio

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Detail of Infant Sorrow by William Blake

Happy new year! 聽I already聽have enormous amounts to be thankful for this year. 聽Chief of these is the editorship of Gregory Vincent St. Thomasino, the editor of E路ratio Postmodern Poetry Journal based in New York. Gregory’s own work, as I have written about here is extraordinary, and challenging and should be explored. 聽

E路ratio itself (and the 29th issue I find myself in) is a fascinating place to visit. The magazine is crammed full of bracing work in a postmodern idiom from writers around the world. It is one of the best magazines I know. 聽I have been a regular visitor ever since I found the site a few years ago.

I had suspected my 24 poem sequence Sin Cycle聽was always going to be hard to place, especially in the UK — and so it proved. Luckily for me Gregory was happy to risk giving a platform to the unreliable, raw and disreputable voice of this sequence.

The eight line poems in this sequence emerged naturally and quickly, and I was lucky enough that three poets I greatly respect, Robin Houghton, Charlotte Gann and Sarah Barnsley read these poems as they started to take shape. 聽I took a good deal of advice and I should thank them again here for their brains, friendship and support.

William Blake’s Songs of Innocence and Experience聽lurked in the back of my mind when I was writing Sin Cycle, and the sequence starts with a four line quote from Infant Sorrow.

I was struck by the realisation that I had spent much of my writing life subconsciously wanting to be seen as nice. On some level I realised I had always wanted people to think how clever, or sensitive or aesthetically evolved I was. In these poems I abandoned any idea of smelling of roses or of people thinking well of me. I found it very liberating.

Sin Cycle
Sin Cycle in E路ratio

 

Categories
Book Launch Telltale Press

A Guide to Getting Published in UK Poetry Magazines, by Robin Houghton

My ever-resourceful pal Robin Houghton has put together a real winner. It is an extremely practical and insightful little book which does what it says on the tin…. A Guide to Getting Published in UK Poetry Magazines. Packed with practical advice for those new to being published or a bracing reminder of what good practice as a poet looks like if you are an old hand.

With typical generosity, Robin does the leg work for you. She has consulted with lots of editors to find out what butters their parsnips when it comes to a submission, and the book is peppered with this feedback. She also rounds up and introduces online and print magazines, and offers all kinds of useful advice – about being disciplined and methodical in your submissions, and how to deal with rejections. (Thanks to reading this Guide I also bought a copy of 52 Ways of Reading A Poem, by Ruth Padel.)

A Guide to Getting Published in UK Poetry Magazines is selling like hot cakes, and with good reason. And at this time of year it would make an excellent little gift for anyone interested in being a published poet, or becoming a better-published poet than they may be already.

So simply go here to buy your copy.

Merry Christmas!book-cover-3D

 

Categories
Poetry Telltale Press

Get your TRUTHS here

I wanted to post this link to the Telltale Press site to get your copy of TRUTHS: A Telltale Press Anthology.聽 Crammed with exceptional poets,聽this anthology is Telltale’s swansong, edited by Sarah Barnsley, Robin Houghton and I.聽Lovely to be able to finish the Telltale project聽on a high.

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Sarah Barnsley, Robin Houghton and myself pictured in gleeful mode, at an editorial 聽meeting in a pub earlier this year.

Categories
Poetry Readings Telltale Press

Telltale Press finishes on a high

Robin Houghton and Sarah Barnsley and I co-edited TRUTHS: A Telltale Press Anthology, 聽and we had our big launch. All kinds of marvellous poets who were in the anthology came and read. Sarah, Robin and I introduced the night and also read. Our guests were amazing.

It was emotional, as we are wrapping up Telltale and wanted to do it in a celebratory way and on a high. Telltale now has lots of friends, and I have met some amazing people through it since Robin first approached me with the idea in 2014. I feel I’ve learned how to ‘be’ a poet again from my friends in Telltale, Robin, Sarah, Siegfried and Jess — and Catherine Smith our associate editor. We’ll all do stuff together at some point again, but the experience has been enriching in all kinds of ways.

Below is a photo my wife Lorraine took of the chaotic poet posse in Lewes on 25th April. Deep breath… l to R Louise Tondeur, Jeremy Page, Clare Best, Catherine Smith, me at the back, Sarah Barnsley (kneeling) Jess Mookherjee, Mike Bartholomew-Biggs, Abigail Parry (kneeling), Janet Sutherland, Abegail Morley (with Charlotte Gann hidden behind her d’oh), Stephen Bone, Marion Tracy, John McCullough, Robin Houghton, Judy Brown.

A night to remember.

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Blowing my own trumpet Book Launch Poetry Telltale Press

Launching Truths: A Telltale Press Anthology

7:30 Wednesday 25th April
Venue The John Harvey Tavern
Bear Yard (off Cliffe High Street),
Lewes BN7 2AN.

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So just a quick note here about the launch of TRUTHS – A Telltale Press Anthology, edited by Sarah Barnsley, Robin Houghton, and myself. 聽Expect the anthology’s launch to contain readings, a few drinks and much optimism. Frankly this Anthology is far better than I had dared hoped — and it looks beautiful too, with cover art by Hannah Clare.

It is the fruition of conversations Sarah, Robin and I had last Summer about life in a post truth age. Ever since Plato banished poets from his Republic, poetry has had a complex relationship to truth. Poems often arise out of an honest attempt to explore and engage with the world and they express truths that are uncomfortable, because poets have always been in the business of confronting shallow thinking with far a deeper truth.

We have drawn on friends of Telltale to create an enviable list of contributors: Siegfried Baber / Sarah Barnsley / Michael Bartholomew-Biggs / Clare Best / Stephen Bone / Judy Brown / Rishi Dastidar / Helen Fletcher / Charlotte Gann / Robin Houghton / Peter Kenny / Martin Malone / John McCullough / Jessica Mookherjee / Abegail Morley / Katrina Naomi / E.E. Nobbs / Jeremy Page / Abigail Parry / Sue Rose / Catherine Smith / Janet Sutherland / Louise Tondeur / Marion Tracy / Rebecca Violet White.

For more, simply read the Telltale Press blog about it here.

I can’t wait. If you’re able to join us, please do.

Categories
Poetry Reading Readings

Poetry omnivore

For me, it’s all been about poetry so far this year. Sarah Barnsley, Robin Houghton and I have been putting together an anthology from Telltale, about which there will be more news shortly. Meanwhile I’ve been editing my own 24-poem, pamphlet-length collection, and have been lucky enough to receive excellent advice and a good deal of encouragement from Robin, Sarah and Charlotte Gann.

Back in January, Robin and I went to see the poet’s AGM; the T.S. Eliot award readings. I love how this reignites my love of poetry every year. Perhaps not a vintage crop this time, but I have since enjoyed the collections by the worthy winner Ocean Vuong, as well as Jacqueline Saphra, and James Sheard.

Omnivorously gobbling poetry, my reading has included Kate Tempest and Anna Akhmatova and, returning after many years, William Blake. I聽had forgotten how Songs of Innocence seem almost more sinister to me than the Songs of Experience.聽I must also recommend聽Nine Gates, Entering the Mind of Poetry, essays by Jane Hirshfield. I can’t remember reading essays about poetry and agreeing so much. I came across Jane Hirshfield on the fabulous Brain Pickings site.

So off tomorrow to the launch of Robin’s Cinnamon Press prize winning collection, All the Relevant Gods聽and Stephen Bone’s excellent Plainsong pamphlet from Indigo Dreams. With Sarah Barnsley and Antony Mair reading, it will be a really good night.

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