Final preparations for Edinburgh

So we’re taking A Glass of Nothing to Edinburgh. Exciting, yes of course, but the truth has dirtier fingernails. Our previous shows have all been close at hand, so organising a run in another country is harder.

Only one final rehearsal to go now down in Brighton. Beth and Kitty now imperious in their roles. And our new man Matt, has worked his socks off to get his part down. We’re proud of him. Due to our slot timings, we have had to trim the play by five minutes. I made the cuts a couple of months ago, of course. In this week’s rehearsal, however, we did a full and fluent run through. Argh! Still five minutes over! It is mystifying. Beth and I did some extra last-minute trimming, not easy on something already greyhound lean. Then the next run-through squeaked in under the desired 50-minute mark. Whew. When you think of how even Shakespeare gets cut and refashioned, there is absolutely no room for writerly flouncing about this sort of thing. But how you can cut loads out of a play only for it to stay the same duration is a bit weird.

So it’s up with the sparrows next Thursday. We are training up to Edinburgh from Brighton, laden with a cases and a few props and some costumes via Kings Cross. No mean feat in itself, especially as we’re off to my stepson’s wedding in Leeds immediately after we’re done in Edinburgh, so we’ll be carrying wedding clothes too.

We aim to hit the ground running in Edinburgh. There are props to be bought, a tech run at The Surgeons’ Hall shortly after we arrive (meeting old friend Amy who will do our tech for us), the press office to visit, flyers and posters to collect (I have bought outside and online  advertising, sent out dozens of press releases etc.) and do other bits.

We have rented a house twenty minutes away from the centre, where Beth, Kitty Matt, Amy, Lorraine and I will be a Theatrical Walton family for a week. The next day, Friday, we have our open dress rehearsal, where folks can come in at a reduced rate. The Saturday is our Preview, the following week our run.

Worst fear? Playing to an empty house. In Brighton, where we know people, we sold out a 70 seater three nights in a row. Playing to one person and a dog would be a challenge. Greatest hope? That we all come home having learned lots, and made audiences laugh and think — and that this isn’t the end of the road for the play we’ve worked so hard on.

So wish us luck! And should you find yourself in Edinburgh, do come along.

Here’s a short monologue from the play performed by Beth…

About Peter Kenny

I lead a double life. Identity #1. A writer of poems, plays, libretti, prose, journalism and so on. Identity #2: A marketing outlier, working with London creative agencies and my own clients as a copywriter and creative consultant.
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