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A Glass of Nothing Actors Theatre

‘A Glass of Nothing’ still half full

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Beth finds somewhere quiet to apply makeup in the Surgeons’ Hall

So… Edinburgh. Blimey, it was an exhausting. In fact so exhausting, it has taken me two weeks to get around to writing about it… Edinburgh utterly dwarfs the  Brighton Festival, and the competition for bums (on seats) is ferocious. Nothing beats first hand experience of publicising and flying for your play, sticking together as a unit and delivering great performances to all kinds of audiences. Not to mention getting into the rhythm of gulping  post-performance beers and discovering late night Edinburgh delicacies such as the macaroni pie.

We learned lots. Next time we take on Edinburgh we’ll do things a little differently. My biggest learning was that putting a short run play on at the beginning of the festival is disadvantageous when seeking reviews. Luckily we had some corkers from the Brighton Festival, so we did okay. We had a couple of quiet nights but luckily this improved towards the end of the run. I’m always surprised at how different audiences can react so differently to the same play. Lots of laughter on one night, a serious absorption into the dark side of the play on the other. While one night, we were all surprised how everyone took against Kitty’s character to side with Beth.

We all made time to see some other shows of course, but I found it hard to see as many as I’d have liked. Shows had tiny audiences were often excellent too.  We took in several women comedians, and I particularly liked Jane Postlethwaite whose work was full of imagination as well as being extremely funny.

All in all, however, it was a hugely positive experience. We left Edinburgh proud of ourselves. And I was bursting with pride in how brilliantly everyone had done. Beth was magnificent, pouting and flirting with the audience.  Kitty and Matt were sensational, and delivered excellent performances every night.  And a big shout out to Amy who did our tech, and for my wife Lorraine who was our bedrock (plus stagehand). We all lived together in a top of a tenement flat in Leith too, like a thespian Walton family. Maybe next year? Hmm…. Now there’s an idea.

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Amy Freeman on tech
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Matt Colborne, Kitty Underhill, Beth Symons August 2017, Surgeons’ Hall, Edinburgh
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A Glass of Nothing Brighton Blonde Productions Theatre Uncategorized

Final preparations for Edinburgh

So we’re taking A Glass of Nothing to Edinburgh. Exciting, yes of course, but the truth has dirtier fingernails. Our previous shows have all been close at hand, so organising a run in another country is harder.

Only one final rehearsal to go now down in Brighton. Beth and Kitty now imperious in their roles. And our new man Matt, has worked his socks off to get his part down. We’re proud of him. Due to our slot timings, we have had to trim the play by five minutes. I made the cuts a couple of months ago, of course. In this week’s rehearsal, however, we did a full and fluent run through. Argh! Still five minutes over! It is mystifying. Beth and I did some extra last-minute trimming, not easy on something already greyhound lean. Then the next run-through squeaked in under the desired 50-minute mark. Whew. When you think of how even Shakespeare gets cut and refashioned, there is absolutely no room for writerly flouncing about this sort of thing. But how you can cut loads out of a play only for it to stay the same duration is a bit weird.

So it’s up with the sparrows next Thursday. We are training up to Edinburgh from Brighton, laden with a cases and a few props and some costumes via Kings Cross. No mean feat in itself, especially as we’re off to my stepson’s wedding in Leeds immediately after we’re done in Edinburgh, so we’ll be carrying wedding clothes too.

We aim to hit the ground running in Edinburgh. There are props to be bought, a tech run at The Surgeons’ Hall shortly after we arrive (meeting old friend Amy who will do our tech for us), the press office to visit, flyers and posters to collect (I have bought outside and online  advertising, sent out dozens of press releases etc.) and do other bits.

We have rented a house twenty minutes away from the centre, where Beth, Kitty Matt, Amy, Lorraine and I will be a Theatrical Walton family for a week. The next day, Friday, we have our open dress rehearsal, where folks can come in at a reduced rate. The Saturday is our Preview, the following week our run.

Worst fear? Playing to an empty house. In Brighton, where we know people, we sold out a 70 seater three nights in a row. Playing to one person and a dog would be a challenge. Greatest hope? That we all come home having learned lots, and made audiences laugh and think — and that this isn’t the end of the road for the play we’ve worked so hard on.

So wish us luck! And should you find yourself in Edinburgh, do come along.

Here’s a short monologue from the play performed by Beth…

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A Glass of Nothing Brighton Blonde Productions Theatre

‘A Glass of Nothing’ theSpace@Surgeons’ Hall, Edinburgh 4-5 & 7-10 August

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Tickets available here

I’ve always liked collaborations. Brighton Blonde Productions, the theatre production company I put together with my stepdaughter Beth Symons has been a particularly excellent one. Our Edinburgh trip will be our third run as Brighton Blonde Productions.

It is good to write with an actor in mind, instead of starting with a blank sheet. For A Glass of Nothing, Beth and I drank beers and discussed the pressing concerns of a woman  woman in her twenties (beyond the next round of course). When writing it, all I had to do was consult my inner Beth and ask myself if she would say those lines. Beth’s influence means that the play deals with social media, and the pressure to conform to expectations of beauty and so on. It has turned out to be a dark comedy for the selfie generation.

It’s nice for us as a family. The ever supportive Lorraine (my wife, Beth’s mother) is listed as our official stage hand for the show. I’ve been to the Edinburgh festival as a punter was great fun. Taking a play to Edinburgh will, fingers crossed, be at least as much fun — mixed with dread and horror, obviously.

I am also mightily relieved that the fabulous and multitalented Kitty Underhill will join us in Edinburgh too. Kitty is a top comedy actress, and her enthusiasm, poise and hilarious ad libs have contributed enormously to the show. For the Edinburgh run we’ve recruited actor and model Matt Colborne to play the male roles. Beth and I have started intensively rehearsing with him, and I’m already excited about the new character dimensions Matt can bring to the show.

Turns out everyone in the show is an actor/model. I also have a tiny cameo in the show — but it will come as no surprise that I am not an actor/model at all. Though the cast are all busy on other work, somehow, we’re pulling it altogether. So if you find yourself in Edinburgh at the beginning of August. Come along!