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A Glass of Nothing Actors Brighton Fringe Theatre

Gut decisions

Beth and I have our cast!

The audition process was fairly smooth. Slightly tangentially I found myself interested by where the auditions were held. The Brighton ones were done in the basement of a restaurant bar Neighbourhood on St James Street. The metal bull’s head on the wall felt, for me, like some kind of a good omen as we sat underneath it. The London auditions were conducted in the tranquility of the Kingston Quaker’s Centre. Entering the door code made the doors open automatically and all the lights turn on brightly, but there was nobody there, but the residual stillness of a place where people come to pray and meditate.

When the actors started doing their thing, I sensed little ripples in placid atmosphere. The actors however, seem to me to bring their own portable imaginary space, a bubble of energy to perform in. Some actors had energy that filled the whole room.

All actors were asked to read a section of the script and do some improv with Beth. From the snatch of script, we got an idea of people’s timing skills (essential as this is a comedy). Watching people improvise, however, gives you a rapid snapshot of people’s skill set.

Everyone we saw was talented. One or two people didn’t show up to their audition, however, which I found a bit surprising.

We chose two actors: a male and a female. Kitty Underhill, seemed a great fit for the parts we want her to play. She came to her audition fully prepared and totally switched on – she was hilarious and bitchy when the part called for it. A real live wire.We also chose Dylan Corbet-bader who is 18, but revealed a lovely depth and core to his performance. Some actors just have lovability, and Dylan is one of them.

There are few other walks of life in which you happily expect the success of a production to rely on people who are almost strangers. But in theatre that leap of faith happens all the time. Perhaps this is why Beth and I let listened to our guts when making these decisions. It affirms your faith in other people when it works.

Below: a space to be heard.

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Categories
A Glass of Nothing a writer's life Actors Brighton Fringe Comedy

A Glass of Nothing – update

So, this play then… ‘A Glass of Nothing’ Its first staging will be at The Warren, Theatre Box, Brighton on Tuesday 17th, Wednesday 18th, and Thursday 19th May. I will be obviously trumpeting this from the rooftops before it happens.

To give you an idea of what it’s about, here is some blurb:

Have you ever watched an actor on stage drink from an empty glass? See how she wipes her hand across her mouth and belches appreciatively.

When a young woman’s life is blighted by no money, no job and no one to love, what choice does she have but to drink from a glass of nothing? But what really is in this glass? Not nothing, oh no. It’s brimful of imagination and fizzing with dark comedy.

Beth Symons plays our heroine, gulping from a glass of nothing to transform herself into anything she desires. Tonight she is the most beautiful woman in the world, a woman whose love life is a tapestry of intrigue and excitement, whose career ascends to dizzying heights…

But what happens when her imagination invites argumentative, wrong-headed people on stage who refuse to follow her script? Watch as Beth battles to keep her vision pure, and stave off the dangers of self loathing and the banal challenges of life in a rented room.

Dare you join her in a glass of nothing?

The play is a three-hander. Beth, who I am writing it for, is pictured below. Beth and I will be auditioning for two parts ‘1F 1M’ starting this Thursday. Through her networks Beth has arranged for several people to audition over the next few weeks. We’ve booked a room and (among other things) will be asking people to read a snippet of early dialogue (which still needs a bit of polishing). As the dialogue is pacy we’re obviously looking for good timing.

I’m still working on to complete the first draft, which will then be thrown to the actors to see what works, what can be funnier and so on. I am fairly pragmatic about all this. The play has a strong structure, and in my, um, vast experience (of having a few plays performed in fringe theatres) I want the play to work as a drama as well as making people laugh. If the story intrigues people that’s a real bonus. I also like a disturbing current to flow through the narrative so the funny bits sparkle.

Beth’s part will call for bravery. She is going to have to be a complete vamp at times. We have been looking at everything from Burlesque dancers to the amazing Eartha Kitt for inspiration. When people are playing a comedy grotesques is that you can’t do anything with self-consciousness. It communicates itself to an audience, and they start squirming on your behalf. And we can’t have that!

I’ll let you know how the auditions go…

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A Glass of Nothing a writer's life Poetry Theatre Working

Life in splinters

All work at present with a forest of deadlines. This mixed with unpleasant things like a house flood and the death of an old friend, means my life is being lived in weekend splinters.

So a few of the splinters:

My play with Beth Symons, A Glass of Nothing will be staged at The Box Theatre, The Warren in May as part of the Brighton Fringe. There is lots to be done between then and now, casting starts in a few weeks. More details here when we, quite literally, get our act together.

Had the Telltale Poets AGM two weeks ago. It’s a privilege to be know such a talented group of poets. More news about forthcoming Telltale announcements shortly. I did a reading with them at the beginning of January. I felt the force wasn’t with me that evening, however one of my poems Ernstophilia was filmed by Robin Houghton which can be watched here… along with a performance by the splendid Jack Underwood.

I finally read all of Claudia Rankine’s Citizen having been very taken with her performance at the T.S. Eliot wards. It seems to me to be concerned with how history amplifies everyday slights and unfairness, and gives them a resonance for people of colour in the US and elsewhere. A legacy which will take a lot of healing. This is illustrated through chunks of elegantly  anecdotal prose, an essay on Serena Williams, photographs and so on. It is an interesting miscellany (and IMO only poetry if you cast your modernist net wide enough). An important work, but did I enjoy it? Frankly not much. When poetry is dealing with really difficult subjects it can make the heart soar and affirm life. I personally didn’t get this from Citizen. But I am certain there are loads who will – and I am pleased I read it.

As usual I’m reading several things at once. Life, the biography of Keith Richards, I’m listening to as an audiobook. I’m not a massive Rolling Stone’s fan but as a glimpse into hedonistic life lived with gusto it is bracing and strangely cheering. And quite funny too.

A Year with Swollen Appendixes by Brian Eno is a book I return to when I need to refocus and remotivate. For those who have not read it, it is essentially Eno’s diary for 1995. Or to look at it another way, a prototype blog. His engagement with creativity is utterly inspiring, as well as his friendships with so many amazing people. Including David Bowie. But Bowie is another blog post, bless him.

Enodiary

 

 

Categories
A Glass of Nothing Actors Performance Theatre Uncategorized

Actors with comdey chops wanted

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Beth Symons, pictured in one of her calmer moments above, has got the casting underway for our play A Glass of Nothing. So if this is you, then get in touch with Beth using the email below, or via this site.

Brighton Blonde Productions is a new theatre company based in Brighton, and set to take Brighton Fringe Festival 2016 by storm with their witty and dark comedy “A Glass of Nothing”.

We are looking for 1 male actor and 1 female actor to join our cast. Playing age 22-30 for both parts.

  • Male characters: embarrassed boyfriend, dream man and pervy boss.
  • Female characters: outraged girlfriend and bitchy co-worker.

If you are interested please email beth.symons@icloud.com with your CV and headshot if possible. If you don’t have these a small bio of your experience will do. We will send you more information about the piece and possibly arrange a meeting with Beth and Peter (co-founders of Brighton Blonde Productions).

Please like us on facebook (Brighton Blonde Productions) and follow us on twitter @BrightonBlondes.