Pete’s shot of many of the people of the the village meeting under a good tree is typical of his excellent work. For the people he captures here, there is plenty to discuss: an appalling drought, extreme hunger that threatens the children. The fact that several crazy guys in a charity team had arrived and were busy flying a drone, taking photos, interviewing people and generally disrupting normal life was also quite a talking point.
Watching Peter Caton at work was fascinating. He is a man of perpetual motion, and always working.
I was very interested in how he would lean right into the faces of people he was taking, all the while smiling and engaging with his subjects. Asking him about this, he said that leaning in was actually less disconcerting for the person he was photographing that being aloof and pulling away. I’d never thought of it like that.
This publication happened at an interesting time for me, as only recently have I been able to start writing properly about what was for me an experience unlike any other I’d had. I find that there is a filtration process going on. That whatever experience I have it takes months (in this case about nine months) before I could write about it freely in the way I wanted. At last I’ve been gripped by a the sudden urge to write about Chad, and am already five poems into a sequence. Of course I hope I don’t block myself by mentioning it here…
I’m off now on holiday for a couple of weeks. Time to unwind, and of course write more poetry. To finish, here is a shot I took of Pete with a screen-lit face at night in the compound after another sweltering day. The large locust crawling in his hair just evaded photographic capture.