Poetry
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The darkness is real
Noir by Charlotte Gann published by HappenStance Press Noir is a word with a freight of associations, but in the title poem of Charlotte Gann’s first full collection the protagonist enters what seems to be a cinema where ‘I only ever catch a moon-thin glimpse /of the projectionist’s face…’ This fits happily with the film noir atmosphere in many of these poems.…
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Peter Caton’s Chad photos
Some of Peter Caton’s photograph from our trip to Chad are here on the Guardian Online. Pete’s shot of many of the people of the the village meeting under a good tree is typical of his excellent work. For the people he captures here, there is plenty to discuss: an appalling drought, extreme hunger that threatens the…
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The Remembering Cliffs in The Island Review
Always nice to see a poem I wrote years ago, crop up again. Of all poems I have written this is a firm favourite, and comes straight from the heart. I wrote it in my late 20s and it has been collected in A Guernsey Double. The photo is me a couple of years ago on…
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The story of your eyes
Met up with my great friend Matt Pollard recently, with whom I collaborated on the high concept piece This Concert Will Fall In Love With You in the Brighton Fringe back in 2010. It was a strange idea in retrospect, that a concert could be haunted by an entity with a voice who fell in…
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More on project 154
I received my copy of the Live Canon Project 154 book a day or so ago. All of Shakespeare’s sonnets, with a response by 154 contemporary poets including friends like Robin Houghton, Antony Mair, Sue Rose and many more. As a rule this kind of intertextuality isn’t my bag. Nor do I need prompts for what…
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Two thoughts on poetry vs theatre
As a poet who writes plays, here are a couple of thoughts about poetry vs theatre while rehearsing my play A Glass of Nothing for the Brighton Fringe. Control I love this image of Jackson Pollock, at work above, because it makes me think about control. When people publish my poems I am always chuffed. But if…